On Marina Abramović and Pornography

“Simone was tall and lovely. She was usually very natural; there was nothing heartbreaking in her eyes or her voice. But on a sensual level, she so bluntly craved any upheaval that the faintest call from the senses gave her a look directly suggestive of all things linked to deep sexuality, such as blood, suffocation,… Continue reading On Marina Abramović and Pornography

On Paula Rego’s Feet

“And, they tell us, we at home Live free from danger, they go out to battle: fools! I’d rather stand three times in the front line than bear One child.” Euripides, Medea (431 BCE) So it’s been one year and 9 months since I finished my MA at Chelsea College of Arts, and in the… Continue reading On Paula Rego’s Feet

On Everyday Filmmaking

The Mundane and the Magical: Filmmaking of Every Day Nalini Malani: ‘Can You Hear Me’, film projections, Whitechapel Gallery (2020 – 2021) I would like to write an article about the intimacy of everyday artmaking. This is not that article; the following text is adapted from a proposal I've recently submitted to a writing prize… Continue reading On Everyday Filmmaking

On Delphyne: Part 4

Smoke and Visions Rosie Dahlstrom: digital collage of Delphyne with a cigarette, 2018 'Feet don't fail me now,Take me to the finish line,Oh, my heart, it breaks every step that I take,But I'm hoping at the gates, they'll tell me that you're mine.'Lana Del Rey, 'Born to Die' (from Born to Die, Polyador/Interscope Records, 2012)… Continue reading On Delphyne: Part 4

On Confessions

“The confession has spread its effects far and wide. It plays a part in justice, medicine, education, family relationships, and love relations, in the most ordinary affairs of everyday life, and in the most solemn rites; one confesses one's crimes, one's sins, one's thoughts and desires, one's illnesses and troubles; one goes about telling, with… Continue reading On Confessions

On Delphyne: Part 3

Gender Many female figures involved in Christian history have transcended their given gender roles in varying ways, as we remember from the earlier examples of Joan of Arc, Abbess Benedetta or Pope Joan. For some female would-be saints their male guise was to prove how special and godly they were, that their divine purpose could… Continue reading On Delphyne: Part 3